Salmos 115

ARC · Chapter 115/150

1Não a nós, Senhor, não a nós, mas ao teu nome dá gloria, por amor da tua benignidade e da tua verdade.

2Porque dirão as nações: Onde está o seu Deus?

3Porém o nosso Deus está nos céus: fez tudo o que lhe aprouve.

4Os idolos d'elles são prata e oiro, obra das mãos dos homens.

5Teem bocca mas não fallam: olhos teem, mas não vêem:

6Teem ouvidos, mas não ouvem; narizes teem, mas não cheiram:

7Teem mãos, mas não apalpam; pés teem, mas não andam; nem som algum sae da sua garganta.

8A elles se tornem similhantes os que os fazem, assim como todos os que n'elles confiam.

9Israel, confia no Senhor: elle é o seu auxilio e o seu escudo.

10Casa de Aarão, confia no Senhor: elle é o seu auxilio e o seu escudo.

11Vós, os que temeis ao Senhor, confiae no Senhor: elle é o seu auxilio e o seu escudo.

12O Senhor se lembrou de nós; elle nos abençoará; abençoará a casa d'Israel; abençoará a casa d'Aarão.

13Abençoará os que temem ao Senhor, tanto pequenos como grandes.

14O Senhor vos augmentará cada vez mais, a vós e a vossos filhos.

15Sois bemditos do Senhor que fez os céus e a terra.

16Os céus são os céus do Senhor; mas a terra a deu aos filhos dos homens.

17Os mortos não louvam ao Senhor, nem os que descem ao silencio.

18Mas nós bemdiremos ao Senhor, desde agora e para sempre. Louvae ao Senhor.

📖 Chapter study

Summary

A psalm that contrasts the living God, who does whatever he pleases, with the idols of the nations — made of silver and gold, with mouths that cannot speak and eyes that cannot see — ending with a call for Israel to trust in the Lord.

Explanation

This psalm offers one of the most detailed and direct critiques of idolatry in the whole Hebrew Bible: the idols are described with biting irony, having mouths, eyes, ears, noses, hands, and feet that do not function, unlike the living God who truly acts. Verse 8 warns that 'they that make them are like unto them' — meaning that worshiping something lifeless makes a person spiritually numb as well. The application today goes beyond literal statues: anything we put in God's place (money, status, power) can make us just as empty as what we worship.

Fun facts

  • The description of the 'lifeless' idols (v.4-7) is repeated almost word for word in Psalm 135:15-18, showing this was a standard rhetorical argument against idolatry in Hebrew tradition.
  • This psalm also belongs to the 'Egyptian Hallel' (113-118), sung at the Jewish Passover.

Verse-by-verse explanation

  1. Salmos 115:1Repeating “Not unto us, O Lord, not unto us” back to back is a forceful way of denying any credit of his own: all the glory must go only to God’s name, none to the one making the request.
  2. Salmos 115:2The nations’ question, “Where is now their God?”, pictures foreigners mocking Israel in its trouble, as if that proved their God had no real power.
  3. Salmos 115:3The answer to the taunt in the previous verse is simple: God is in the heavens and does exactly what He pleases, with no need to prove anything by human expectations.
  4. Salmos 115:4The psalm describes metal statues used in the worship of neighboring peoples, mocking the fact that they have carved mouths, eyes, and ears that do not actually work. It is a classic taunt against the idea of worshiping something made by human hands.
  5. Salmos 115:5Here begins the mockery of the idols: mouths that cannot speak and eyes that cannot see, the first pair of useless senses on a statue that looks alive but is not.
  6. Salmos 115:6The list continues with ears that cannot hear and noses that cannot smell—two more carved senses that do not actually work in the idols.
  7. Salmos 115:7The list closes with hands that cannot feel, feet that cannot walk, and a throat that makes no sound: an entire body carved, yet without a single real function.
  8. Salmos 115:8The idea of “becoming like” whatever one worships is the core of the critique here. Trusting in something lifeless and unresponsive leaves the person just as unable to act or respond to what truly matters.
  9. Salmos 115:9This is the first of three matching calls to trust in God, each directed at a different group—here, at Israel as a whole.
  10. Salmos 115:10The same refrain of trust repeats, now aimed specifically at the house of Aaron, the priests, the second of the three groups called upon.
  11. Salmos 115:11The refrain appears a third time, addressed to “ye that fear the Lord”—a broader category that could also include foreigners who had joined themselves to Israel’s faith.
  12. Salmos 115:12The blessing that follows keeps the same order as the three earlier calls: first Israel, then the house of Aaron, mirroring point by point what was asked before.
  13. Salmos 115:13It completes the blessing for the third group, those who fear the Lord, with an important detail: small and great alike receive the same blessing, with no distinction by social standing.
  14. Salmos 115:14The blessing is not a one-time event: it is described as continuous growth, reaching the children too, a promise that extends generation after generation.
  15. Salmos 115:15Remembering that the blessing comes from the Maker of heaven and earth gives it extra weight: it is not just any favor, it is the blessing of the very Creator of everything.
  16. Salmos 115:16Saying that the earth was given to the children of men picks up the idea from Genesis. Humanity received the task of caring for this world, while the heavens remain God’s own direct domain.
  17. Salmos 115:17The idea that “the dead praise not the Lord” reflects the ancient Hebrew view of death as total silence, with no more contact with God—an argument in favor of staying alive in order to keep praising.
  18. Salmos 115:18In contrast to the silence of the dead from the previous verse, the living commit to praising without ceasing, closing the psalm with this contrast between silence and unending praise.

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