Salmos 113

ARC · Chapter 113/150

1Louvae ao Senhor. Louvae, servos do Senhor, louvae o nome do Senhor.

2Seja bemdito o nome do Senhor, desde agora para sempre.

3Desde o nascimento do sol até ao occaso, seja louvado o nome do Senhor.

4Exaltado está o Senhor acima de todas as nações, e a sua gloria sobre os céus.

5Quem é como o Senhor nosso Deus, que habita nas alturas?

6O qual se abate, para vêr o que está nos céus e na terra!

7Levanta o pobre do pó, e do monturo levanta o necessitado,

8Para o fazer assentar com os principes, mesmo com os principes do seu povo.

9Faz com que a mulher esteril habite na casa, e seja alegre mãe de filhos. Louvae ao Senhor.

📖 Chapter study

Summary

The first of six psalms known as the 'Egyptian Hallel' (113-118), traditionally sung at the Jewish Passover, praising God who, though dwelling on high, stoops down to raise the poor from the dust and give joy to the barren woman.

Explanation

These six psalms (113-118) form what is called the 'Hallel' (praise), traditionally sung during the Jewish Passover (Pesach) — likely the very hymns Jesus and his disciples sang after the Last Supper, before going out to the Mount of Olives (Matthew 26:30). The central image of this psalm is the contrast between God's transcendent greatness ('who dwelleth on high') and his intimate closeness ('who humbleth himself' to care for the poor and for childless families). The application today is that God's true greatness is revealed precisely in his care for the weakest and most forgotten in society.

Fun facts

  • Psalms 113-118 are called the 'Egyptian Hallel' and are traditionally sung during the Jewish Passover to this day.
  • It is quite likely that this was one of the hymns Jesus sang with his disciples at the Last Supper, mentioned in Matthew 26:30 as 'when they had sung an hymn.'

Verse-by-verse explanation

  1. Salmos 113:1Psalms 113 through 118 form what is called the “Hallel” (“praise”), a set sung at the great Jewish festivals, especially Passover. This explains the tone of continuous celebration and the call-and-response structure running through these chapters.
  2. Salmos 113:2“From this time forth and for evermore” is a simple formula for continuous blessing, with no time limit, repeated in similar forms across several psalms of praise.
  3. Salmos 113:3From the rising of the sun to its setting describes both the whole day and, by extension, every place the sun passes over—a praise with no hour or border where it would ever stop.
  4. Salmos 113:4Placing God above all nations and even above the heavens combines two scales of greatness, political and cosmic, in the same line.
  5. Salmos 113:5The question “Who is like unto the Lord our God, who dwelleth on high” expects no answer: it is a Hebrew way of stating that He has no possible comparison, especially given how high He dwells.
  6. Salmos 113:6It is almost a poetic paradox: God dwells so high that He must “humble himself” just to look down at the heavens and the earth—a way of stretching the point to stress the sheer scale of His greatness.
  7. Salmos 113:7Right after describing such distant greatness, the psalm shows the contrast: this same God bends down to raise the poor out of the dust and the beggar out of the dunghill, the lowest place that existed.
  8. Salmos 113:8The reversal reaches its extreme: the one who was in the dirt now sits alongside princes, the same idea of social reversal found in Hannah’s song, in 1 Samuel 2.
  9. Salmos 113:9Becoming a mother was, in ancient society, a synonym for security and social respect. That is why this reversal joins the same list as the others—like lifting the poor out of misery and seating him among princes—as a sign of God’s care for those who were at the bottom.

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