Salmos 118

Verse-by-verse explanation

1. Salmos 118:1The same fixed refrain that opens other psalms of praise—“for he is good: because his mercy endureth for ever”—also opens this one, the last of the six Hallel psalms, the set sung at the great Jewish festivals.
2. Salmos 118:2After the opening refrain, the psalm calls on Israel specifically to repeat it, the first of three groups called one by one to declare the same line.
3. Salmos 118:3The second group called is the house of Aaron, the priests, repeating the same line—a kind of call-and-response liturgy among different parts of the people.
4. Salmos 118:4The third group, “them now that fear the Lord,” closes the sequence of calls—the same three-group structure also used in Psalm 115, widening who takes part in the praise.
5. Salmos 118:5To be “set in a large place” is a Hebrew expression of relief: moving from a suffocating tight spot into open space, the physical sense of anguish being traded for freedom of movement.
6. Salmos 118:6This declaration of courage because of God’s presence is quoted centuries later in Hebrews 13:6, almost word for word, as an argument against fearing what other people might do.
7. Salmos 118:7Having God “on his side” together with those who help him is the basis for the hope that follows: seeing his own desire fulfilled over those who hate him, a confidence built on allies and not on himself alone.
8. Salmos 118:8It is a direct, simple proverb, one of the most quoted lines in the psalm: trusting in God outweighs any confidence placed in another human being.
9. Salmos 118:9The same proverb repeats, but raises the stakes: not even the most powerful princes deserve more trust than God, reinforcing the previous verse.
10. Salmos 118:10The image is one of military siege: whole nations surrounding the psalmist, but the confidence of winning comes from calling on God’s name, not from his own strength.
11. Salmos 118:11Repeating “they compassed me about” twice in a row reinforces how great the danger was, but the response of confidence stays the same as the previous verse, worded almost identically.
12. Salmos 118:12Comparing the enemies to bees shows a swarming attack, but saying they were quenched like a fire of thorns shows that this attack, however frightening, burns fast and does not last.
13. Salmos 118:13The verse admits he was pushed hard to fall, nearly defeated, but closes with the turnaround: it was God who helped, right at the decisive moment.
14. Salmos 118:14This line is taken almost word for word from the Song of the Sea, in Exodus 15, after the crossing of the Red Sea—the psalmist applies that same language of victory to his own situation.
15. Salmos 118:15The victory celebration happens specifically “in the tabernacles of the righteous,” as if the psalm were describing a communal celebration spreading through the homes of others who also trust in God.
16. Salmos 118:16Repeating “the right hand of the Lord” twice in the same verse reinforces, through the poetic structure itself, the idea that it was God’s power, not human effort, that made the difference.
17. Salmos 118:17The wish to live here has a specific purpose: it is not just about surviving, but about continuing to be able to declare God’s works, giving practical meaning to his own continued life.
18. Salmos 118:18The suffering is described as discipline coming from God Himself, not just an enemy attack—a severe correction, but one that stopped short of death.
19. Salmos 118:19“The gates of righteousness” is an image for the gates of the temple, and the request for them to be opened describes the desire to enter and give public thanks for what he has lived through.
20. Salmos 118:20The answer to the request in the previous verse explains that this entrance has a criterion: it is the gate reserved specifically for the righteous to pass through.
21. Salmos 118:21After telling so much of the rescue story, the psalmist returns to the present to give direct thanks: for having been heard and for having received his own salvation.
22. Salmos 118:22The “head stone of the corner” is the cornerstone, the most important piece in an ancient building, the one that locked the walls together. Saying that the builders rejected it and it then became the most important piece is an image of reversal, applied here to the people or the king saved by God.
23. Salmos 118:23It explains the reversal of the rejected stone from the previous verse: it happened by God’s direct action, something so unexpected that it seems marvelous to the eyes of those who see it.
24. Salmos 118:24“This is the day” refers, in the original setting, to one specific day of victory or deliverance being celebrated. It was not a generic line about any ordinary day, though it later took on that broader use.
25. Salmos 118:25“Save now, I beseech thee, O Lord” is a literal translation of the Hebrew hoshia na, the origin of the word “Hosanna” shouted centuries later by the crowd that welcomed Jesus into Jerusalem.
26. Salmos 118:26This blessing for “he that cometh in the name of the Lord” is the same line the crowd shouts on seeing Jesus enter Jerusalem, in the Gospels, applying to an arriving king this ancient festival greeting.
27. Salmos 118:27“The horns of the altar” were projecting points at the four corners of the sacrificial altar. Binding the animal to them was part of the ritual before the offering, so the expression describes the concrete act of bringing the victim to the altar.
28. Salmos 118:28Repeating “thou art my God” twice, each time followed by a different verb of praise, is the same Hebrew device of emphasis used at several other points in the psalm.
29. Salmos 118:29The psalm ends exactly as it began, repeating the same refrain from the first verse—a frame that closes the poem in the same tone of gratitude it opened with.