Salmos 114

BLIVRE · Chapter 114/150

1Quando Israel saiu do Egito, [quando] a casa de Jacó [saiu] de um povo estrangeiro,

2Judá se tornou seu santuário, [e] Israel os seus domínios.

3O mar viu, e fugiu; e o Jordão recuou.

4Os montes saltaram como carneiros, os morros como cordeiros.

5O que houve, ó mar, que fugiste? Ó Jordão, que recuaste?

6Ó montes, que saltastes como carneiros? Ó morros, como cordeiros?

7Trema tu, ó terra, pela presença do Senhor, pela presença do Deus de Jacó,

8Que tornou a rocha em lago de águas; ao pedregulho em fonte de águas.

📖 Chapter study

Summary

A brief, vivid poem about the Exodus: the sea fled, the Jordan turned back, and the mountains skipped like rams before the presence of God, who turned even the rock into a fountain of water.

Explanation

This psalm, part of the Passover 'Hallel,' is remarkable for its poetic economy: in just eight verses, it dramatically depicts the departure from Egypt, the crossing of the Red Sea (Exodus 14) and the Jordan River (Joshua 3), as well as the water from the rock (Exodus 17 and Numbers 20), using the technique of directly questioning nature ('what ailed thee, O thou sea, that thou fleddest?') before answering that it was the presence of God that caused it all. The application today is that all of creation recognizes and responds to God's presence, a reminder that he is actively involved in history, not distant from it.

Fun facts

  • The poetic technique of asking nature direct questions (v.5-6) and then answering them is a Hebrew rhetorical device called apostrophe, used to dramatize creation's response to God.
  • This psalm joins two events separated by decades — the crossing of the Red Sea at the exodus from Egypt and the crossing of the Jordan upon entering Canaan — as a single, continuous act of divine power.

Verse-by-verse explanation

  1. Salmos 114:1Calling Egypt “a people of strange language” uses the word’s old sense: people whose speech was foreign and unintelligible. It is a way of marking just how much Israel was on foreign ground before leaving there.
  2. Salmos 114:2After leaving Egypt, Judah and Israel come to be described as God’s own sanctuary and dominion—the transition from an enslaved people to territory set apart for Him.
  3. Salmos 114:3The sea fleeing and the Jordan turning back retell, in poetic form, two real crossings in Israel’s history: the exodus from Egypt through the Red Sea and the entrance into the promised land through the Jordan River, as if nature itself grew frightened before God.
  4. Salmos 114:4Comparing mountains to rams skipping is the same poetic personification from the previous verse, applied now to the landscape. Even solid ground seems to react with astonishment at God’s passing.
  5. Salmos 114:5The psalm interrupts the narrative to ask the sea and the Jordan River directly why they fled, as if they were frightened characters, not merely natural phenomena.
  6. Salmos 114:6The same question repeats for the mountains and the hills, keeping the image of rams and lambs skipping, continuing the poetic play of personifying the landscape.
  7. Salmos 114:7The implied answer to the earlier questions comes here: everything trembled and fled simply because it was in the presence of God passing by.
  8. Salmos 114:8The miracle cited as the final proof is water flowing from the rock in the wilderness, told in Exodus and Numbers—the concrete example that closes the psalm.

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