Apocalipse 3

ARC · Chapter 3/22

1E ao anjo da egreja que está em Sardo escreve: Isto diz o que tem os sete Espiritos de Deus, e as sete estrellas: Eu sei as tuas obras, que tens nome de que vives, e estás morto.

2Sê vigilante, e confirma o resto que estava para morrer; porque não achei as tuas obras perfeitas diante de Deus.

3Lembra-te pois do que tens recebido e ouvido, e guarda-o, e arrepende-te. E, se não velares, virei sobre ti como o ladrão, e não saberás a que hora sobre ti virei.

4Mas tambem tens em Sardo algumas pessoas que não contaminaram seus vestidos, e comigo andarão em vestidos brancos; porquanto são dignos d'isso.

5O que vencer será vestido de vestidos brancos, e em maneira nenhuma riscarei o seu nome do livro da vida; e confessarei o seu nome diante de meu Pae e diante dos seus anjos.

6Quem tem ouvidos, ouça o que o Espirito diz ás egrejas.

7E ao anjo da egreja que está em Philadelphia escreve: Isto diz o que é sancto, o que é verdadeiro o que tem a chave de David; o que abre, e ninguem cerra; e cerra, e ninguem abre:

8Eu sei as tuas obras: eis que diante de ti puz uma porta aberta, e ninguem a pode cerrar: porque tens pouca força, e guardaste a minha palavra, e não negaste o meu nome.

9Eis aqui dou, da synagoga de Satanás, dos que se dizem judeos, e não são, mas mentem: eis que eu farei que venham, e adorem prostrados a teus pés, e saibam que eu te amo

10Porque guardaste a palavra da minha paciencia, tambem eu te guardarei da hora da tentação que ha de vir sobre todo o mundo, para tentar os que habitam na terra.

11Eis que venho logo; guarda o que tens, para que ninguem tome a tua corôa.

12A quem vencer, eu o farei columna no templo do meu Deus, e d'elle nunca sairá; e escreverei sobre elle o nome do meu Deus, e o nome da cidade do meu Deus, o da nova Jerusalem, que desce do céu do meu Deus, e o meu novo nome.

13Quem tem ouvidos, ouça o que o Espirito diz ás egrejas.

14E ao anjo da egreja que está em Laodicea escreve: Isto diz o Amen, a testemunha fiel e verdadeira, o principio da creação de Deus:

15Eu sei as tuas obras, que nem és frio nem quente: oxalá fôras frio ou quente!

16Assim, pois que és morno, e nem és frio nem quente, vomitar-te-hei da minha bocca.

17Porque dizes: Rico sou, e estou enriquecido, e de nada tenho falta; e não sabes que és um desgraçado, e miseravel, e pobre, e cego, e nú

18Aconselho-te a que de mim compres oiro provado no fogo, para que te enriqueças; e vestidos brancos, para que te vistas, e não appareça a vergonha da tua nudez; e unge os teus olhos com collyrio, para que vejas;

19Eu reprehendo e castigo a todos quantos amo: sê pois zeloso, e arrepende-te.

20Eis que estou á porta, e bato: se alguem ouvir a minha voz, e abrir a porta, entrarei em sua casa, e com elle cearei, e elle comigo.

21Ao que vencer lhe concederei que se assente comigo no meu throno; assim como eu venci, e me assentei com meu Pae no seu throno.

22Quem tem ouvidos, ouça o que o Espirito diz ás egrejas.

📖 Chapter study

Summary

Jesus continues with messages to the three remaining churches: Sardis (which seems alive but is spiritually dead), Philadelphia (faithful despite having little strength, and receiving a great promise), and Laodicea (lukewarm, neither cold nor hot, trusting in its own wealth).

Explanation

Sardis had a history of complacency and a sudden fall of its acropolis, which its residents never properly guarded — a fitting metaphor for Jesus' warning about being spiritually asleep despite an appearance of vitality. Laodicea was a wealthy city, famous for its banks, a medical school known for eye salve, and black wool textiles, but it depended on an aqueduct that delivered lukewarm water — neither cold and refreshing like nearby Colossae's nor hot and therapeutic like Hierapolis' — a fitting image for a faith without real conviction. The famous image of Jesus 'standing at the door, knocking' (3:20), addressed to a church rather than to unbelieving individuals in its original context, shows Christ asking to be welcomed back by a community that had shut him out. Today's application is to examine whether our faith is genuinely on fire or merely a comfortable, self-sufficient appearance.

Fun facts

  • The reference to Laodicea's 'lukewarm' water (3:15-16) reflects an actual geographic reality: the city depended on an aqueduct running several kilometers that made the water arrive lukewarm and unpleasant-tasting, unlike the hot therapeutic springs of nearby Hierapolis and the cold, pure waters of neighboring Colossae.

Verse-by-verse explanation

  1. Apocalipse 3:1Sardis had been, centuries earlier, the extremely wealthy capital of a famous kingdom - but by John's time it was already a city in decline, living off its old reputation. The letter uses exactly this local history: a church that also lives off past fame, but on the inside no longer has that same life.
  2. Apocalipse 3:2The letter to Sardis opens with an order to be alert: the church seems alive, but its works are not complete before God, a condition that demands urgent attention before it gets worse.
  3. Apocalipse 3:3It asks the church to remember what it has already received, to hold on to it, and to repent; the threat of coming “as a thief,” without warning, is an image used elsewhere in the New Testament to describe a sudden, unexpected event.
  4. Apocalipse 3:4Even in a church described as practically dead, there is a small faithful group, described with the image of clean garments, that will keep walking alongside Christ.
  5. Apocalipse 3:5The promise of white robes and a name kept in the “book of life” (an image that reappears in the final chapters of the book) is reinforced with the assurance that Christ will publicly acknowledge that person before God.
  6. Apocalipse 3:6This repeats the closing refrain already used in the previous letters, drawing attention to the message of the Spirit.
  7. Apocalipse 3:7This expression comes from the prophet Isaiah, who describes a royal palace steward with authority to open and shut the doors in the king's name. Applied to Jesus, it shows that only He decides who has access - no one else can open or shut what He determines.
  8. Apocalipse 3:8The letter to Philadelphia praises the church's faithfulness despite having “a little strength,” using the image of an open door that no one can shut, a guaranteed opportunity even though it comes from a small community.
  9. Apocalipse 3:9This promises that the opponents of this church, called the “synagogue of Satan” (the same expression used in the letter to Smyrna), will publicly acknowledge the worth of this faithful community.
  10. Apocalipse 3:10Because it kept the word with patience, the church receives the promise of being protected during an “hour of temptation” that would affect the whole world - a period of hardship whose exact scope Christian traditions read in different ways.
  11. Apocalipse 3:11This reinforces the expectation of a coming that is near, asking the church to hold firmly to what it already has so as not to lose the promised reward.
  12. Apocalipse 3:12A pillar is something fixed, that does not move from its place - a powerful image in a region where earthquakes frequently brought buildings down. Having one's own name, the name of God, and the name of the city written on someone was an ancient way of marking permanent belonging, like a seal stamped into the person.
  13. Apocalipse 3:13This once again repeats the refrain that closes each of the seven letters.
  14. Apocalipse 3:14The letter to Laodicea opens with titles that highlight truth and origin: “the Amen,” a Hebrew expression of confirmation, and “the beginning of the creation of God,” not in the sense of being the first thing created, but of being the source of everything that exists.
  15. Apocalipse 3:15Laodicea had no water source of its own: an aqueduct brought water from distant hot springs, and it arrived lukewarm, useless either for cooling or for warming, and it even made whoever drank it feel nauseous. The letter uses this problem, well known to everyone in the city, as a metaphor for a faith that neither refreshes nor warms anyone.
  16. Apocalipse 3:16This continues the image already explained in verse 15 about the lukewarm water from the local aqueduct: being “lukewarm” in this letter is worse than being clearly cold or hot, and is therefore rejected forcefully.
  17. Apocalipse 3:17Laodicea really was a wealthy city, a banking and textile center, that rebuilt itself after an earthquake without asking Rome for help. The letter uses this real civic pride to draw a contrast: rich in money, but poor in what truly matters.
  18. Apocalipse 3:18The counsel uses three images tied to the city's real wealth, mentioned in verse 17: true gold instead of hollow money, white garments instead of pride in fine fabrics, and eye salve instead of the spiritual blindness hidden behind self-sufficiency.
  19. Apocalipse 3:19This explains the letter's harsh tone: the rebuke is not rejection, it is a sign of care, compared to the discipline given to those one loves.
  20. Apocalipse 3:20The image is that of a guest waiting to be welcomed to a meal, a custom of hospitality well known at the time. It is not a demand imposed from outside, but an invitation: the decision to open the door rests with the one inside.
  21. Apocalipse 3:21The final promise is the greatest of all seven letters: sitting on Christ's own throne, the same way He also overcame and sat down with the Father.
  22. Apocalipse 3:22This closes the last of the seven letters with the same refrain repeated in all the others, marking the end of this section of the book before the vision of the heavenly throne that begins in chapter 4.

Chapters

Our apps

Our apps →

Bible in Stories

The Bible told as a story, with audio and videos.

📱 Get the app

World in Stories

True stories of humanity that sound made up.

Feito! Pequenas Vitórias

A light daily routine for people who lose track of the day.