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Apocalipse 8

ARC · Chapter 8/22

1E, havendo aberto o setimo sello, fez-se silencio no céu quasi por meia hora.

2E vi os sete anjos, que estavam diante de Deus, e foram-lhes dadas sete trombetas.

3E veiu outro anjo, e poz-se junto ao altar, tendo um incensario de oiro; e foi-lhe dado muito incenso, para o pôr com as orações de todos os sanctos sobre o altar de oiro, que está diante do throno.

4E o fumo do incenso subiu com as orações dos sanctos desde a mão do anjo até diante de Deus.

5E o anjo tomou o incensario, e encheu-o de fogo do altar, e lançou-o sobre a terra; e fizeram-se vozes, e trovões, e relampagos e terremotos.

6E os sete anjos, que tinham as sete trombetas, prepararam-se para tocal-as.

7E o primeiro anjo tocou a sua trombeta, e houve saraiva, e fogo misturado com sangue, e foram lançados na terra; e queimou-se a terça parte das arvores, e toda a herva verde foi queimada.

8E o segundo anjo tocou a trombeta; e foi lançada no mar uma coisa como um grande monte ardendo em fogo, e tornou-se em sangue a terça parte do mar.

9E morreu a terça parte das creaturas que tinham vida no mar; e perdeu-se a terça parte das náos.

10E o terceiro anjo tocou a sua trombeta, e caiu do céu uma grande estrella, ardendo como uma tocha, e caiu na terça parte dos rios, e nas fontes das aguas.

11E o nome da estrella era Absyntho, e a terça parte das aguas tornou-se em absyntho, e muitos homens morreram das aguas, porque se tornaram amargas.

12E o quarto anjo tocou a sua trombeta, e foi ferida a terça parte do sol, e a terça parte da lua, e a terça parte das estrellas; para que a terça parte d'elles se escurecesse, e a terça parte do dia não brilhasse, e similhantemente a da noite

13E olhei, e ouvi um anjo voar pelo meio do céu, dizendo com grande voz: Ai! ai! dos que habitam sobre a terra! por causa das outras vozes das trombetas dos tres anjos que hão de ainda tocar.

📖 Chapter study

Summary

The Lamb opens the seventh and final seal, causing silence in heaven, followed by the start of seven judgment trumpets sounded by angels. The first four trumpets bring plagues affecting the earth, the sea, the rivers, and the heavenly bodies, recalling the plagues of Egypt.

Explanation

The silence in heaven for 'about half an hour' before the trumpets begin creates a moment of solemn suspense, perhaps representing reverence before the weight of what is about to come. The plagues described — hail mixed with fire, a burning 'mountain' cast into the sea, a star called Wormwood poisoning the waters, a partial darkening of the heavenly bodies — deliberately echo the plagues of Egypt in Exodus 7-10, placing these judgments within the tradition of God confronting oppressive powers to set his people free. It is important to note that these plagues strike only a fraction ('a third'), suggesting partial and still-reversible judgments, unlike total destruction. Today's application is to recognize that apocalyptic language uses dramatic imagery to convey the seriousness of divine judgment on injustice, rather than aiming to calculate specific, literal future events.

Fun facts

  • The name of the star 'Wormwood' (Apsinthos, in Greek) given to the plague of the third trumpet (8:11) is the same word used for the bitter plant used to make the drink absinthe, famous for its extremely bitter taste, used here as a symbol of bitterness and suffering.

Verse-by-verse explanation

  1. Apocalipse 8:1After the tension of the seventh seal, this silence works as a dramatic pause in the narrative, before the seven trumpets begin - many read it as heaven itself holding its breath, in reverence or expectation, before what comes next.
  2. Apocalipse 8:2After the silence of the previous verse, the scene starts up again with seven angels receiving seven trumpets, beginning a new cycle of seven plagues, similar in structure to that of the seven seals.
  3. Apocalipse 8:3An angel appears at the altar with a golden censer, receiving incense to offer together with the prayers of the saints - the same link between incense and prayer already explained back in chapter 5.
  4. Apocalipse 8:4The smoke of the incense rising up to God is the visual image of how these prayers reach the divine presence, reinforcing the symbolism already established earlier.
  5. Apocalipse 8:5The same censer that had carried prayers is now used in reverse, filled with fire from the altar and cast onto the earth, causing thunderings and an earthquake - as if the prayers of the persecuted set off the response of judgment that comes next.
  6. Apocalipse 8:6This describes the moment of preparation before the actual start of the seven plagues announced by the trumpets.
  7. Apocalipse 8:7This image directly echoes one of the plagues of Egypt, in Exodus: hail and fire falling upon the earth. The book reuses the memory of that ancient story to describe the trumpet plagues as an echo of what God had already done before.
  8. Apocalipse 8:8The second trumpet brings something like a great mountain burning with fire cast into the sea, and a third of the sea turns to blood - an image that echoes the plague of Egypt in which the Nile River was turned to blood, in Exodus.
  9. Apocalipse 8:9This continues describing the effects of the second trumpet: mass destruction of marine life and of ships, a direct blow to the trade and fishing that sustained much of the economy of the time.
  10. Apocalipse 8:10The name of this star, in Greek, is literally the name of a bitter plant used as medicine at the time. That is exactly the point of the image: the star turns fresh water into something bitter and unfit to drink.
  11. Apocalipse 8:11The star is given the name of a bitter plant used as medicine in antiquity; the name itself already announces the effect - making the water unfit to drink and causing deaths because of it.
  12. Apocalipse 8:12The phrase ‘the third part’ appears several times in the trumpet plagues - unlike the language of totality used elsewhere in the book, this number marks that it is still a partial blow, not the definitive end.
  13. Apocalipse 8:13An eagle flying overhead announces three “woes” that are still to come, tied to the last three trumpets - a warning that the worst was still to happen.

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