Song of Songs 7

KJV · Chapter 7/8

1How beautiful are thy feet with shoes, O prince’s daughter! the joints of thy thighs are like jewels, the work of the hands of a cunning workman.

2Thy navel is like a round goblet, which wanteth not liquor: thy belly is like an heap of wheat set about with lilies.

3Thy two breasts are like two young roes that are twins.

4Thy neck is as a tower of ivory; thine eyes like the fishpools in Heshbon, by the gate of Bath–rabbim: thy nose is as the tower of Lebanon which looketh toward Damascus.

5Thine head upon thee is like Carmel, and the hair of thine head like purple; the king is held in the galleries.

6How fair and how pleasant art thou, O love, for delights!

7This thy stature is like to a palm tree, and thy breasts to clusters of grapes.

8I said, I will go up to the palm tree, I will take hold of the boughs thereof: now also thy breasts shall be as clusters of the vine, and the smell of thy nose like apples;

9And the roof of thy mouth like the best wine for my beloved, that goeth down sweetly, causing the lips of those that are asleep to speak.

10I am my beloved’s, and his desire is toward me.

11Come, my beloved, let us go forth into the field; let us lodge in the villages.

12Let us get up early to the vineyards; let us see if the vine flourish, whether the tender grape appear, and the pomegranates bud forth: there will I give thee my loves.

13The mandrakes give a smell, and at our gates are all manner of pleasant fruits, new and old, which I have laid up for thee, O my beloved.

📖 Chapter study

Summary

The lover continues to admire the beloved's beauty, from head to foot, comparing her to a palm tree and its fruit. She responds by inviting him to go out with her to the fields and villages to enjoy their love.

Explanation

This chapter returns to the descriptive, admiring style, but now it is the beloved who takes the initiative to propose a romantic outing in the open air, among vineyards and pomegranate trees — symbols of fruitfulness and life in Israel's agricultural landscape. The expression "I am my beloved's, and his desire is toward me" (echoing 2:16 and 6:3) reinforces the book's central theme: the mutuality and reciprocity of desire between the two. Application for today: in a healthy marriage, both husband and wife are free to take the initiative in expressing desire and pursuing intimacy.

Fun facts

  • The "mandrakes" mentioned at the end of the chapter were a plant popularly associated with fertility in the ancient Near East, also mentioned in the story of Rachel and Leah in Genesis 30:14-16.
  • The comparison of the beloved to a palm tree reflects a tree highly valued in the region for its complete usefulness — fruit, shade, wood, and fiber — and for its elegant, upright form.

Verse-by-verse explanation

  1. Song of Songs 7:1The detailed description of the beloved’s feet, thighs, and navel shows how the book treats the human body with a poetic freedom unusual by today’s standards of religious language, without any tone of shame.
  2. Song of Songs 7:2Comparing the waist to a heap of wheat surrounded by lilies joins two images from the harvest: abundance (the piled wheat) and delicacy (the flowers around it), a typically agricultural combination of praise.
  3. Song of Songs 7:3This same comparison to twin fawns already appeared in chapter 4, showing how certain physical compliments repeat throughout the book as recognizable poetic formulas.
  4. Song of Songs 7:4Heshbon was a real city known for its clear, calm water pools — comparing the eyes to these pools suggests a calm, translucent gaze, not an agitated one.
  5. Song of Songs 7:5Mount Carmel was known for its lush vegetation, so comparing the head to it praises the fullness and beauty of the hair — saying the king is “held captive” in those locks is poetic exaggeration of fascination.
  6. Song of Songs 7:6The phrase “love, for delights” sums up the spirit of the chapter well: the book openly celebrates the pleasure between the lovers, without hiding or disguising that side of the relationship.
  7. Song of Songs 7:7The palm tree was valued for its tall, straight trunk — comparing her posture to this tree praises her height and physical elegance quite directly.
  8. Song of Songs 7:8Describing the desire to “go up” the palm tree and hold onto its branches turns the previous metaphor into an image of physical action, the beloved wanting to draw close and touch what he has just praised.
  9. Song of Songs 7:9Comparing the kiss to a wine so good it makes even the lips of someone asleep speak is a poetic exaggeration describing something irresistibly sweet and captivating.
  10. Song of Songs 7:10This variation on the mutual-belonging formula, already seen before, adds something new: now it is specifically his desire that turns toward her, not just a generic mutual possession.
  11. Song of Songs 7:11Inviting the beloved to spend the night in the villages, away from the city, suggests a wish to escape to a simpler, more private setting, just for the two of them.
  12. Song of Songs 7:12Her invitation for them to go together to the fields and spend the night among the vineyards shows the woman’s initiative within the relationship, proposing the encounter instead of just waiting for him.
  13. Song of Songs 7:13Mandrakes were associated in antiquity with fertility and romantic desire, so mentioning them alongside fruits kept especially for the beloved reinforces the intimate invitation at the end of the chapter.

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