Daniel 3

ARC · Chapter 3/12

¹O rei Nabucodonozor fez uma estatua de oiro, a altura da qual era de sessenta covados, e a sua largura de seis covados: levantou-a no campo de Dura, na provincia de Babylonia.

²E o rei Nabucodonozor mandou ajuntar os sátrapas, os prefeitos e presidentes, os juizes, os thesoureiros, os conselheiros, os officiaes, e todos os governadores das provincias, para que viessem á consagração da estatua que o rei Nabucodonozor tinha levantado.

³Então se ajuntaram os sátrapas, os prefeitos e presidentes, os juizes, os thesoureiros, os conselheiros, os officiaes, e todos os governadores das provincias, á consagração da estatua que o rei Nabucodonozor tinha levantado, e estavam em pé diante da estatua que Nabucodonozor tinha levantado.

⁴E o pregoeiro apregoava em alta voz: Ordena-se a vós, ó povos, nações e linguagens:

⁵Quando ouvirdes o som da buzina, do pifaro, da harpa, da sambuca, do psalterio, da symphonia, e de toda a sorte de musica, vos prostrareis, e adorareis a estatua de oiro que o rei Nabucodonozor tem levantado.

⁶E qualquer que se não prostrar e a não adorar, será na mesma hora lançado dentro do forno de fogo ardente.

⁷Portanto, no mesmo instante em que todos os povos ouviram o som da buzina, do pifaro, da harpa, da sambuca, do psalterio, e de toda a sorte de musica, se prostraram todos os povos, nações e linguas, e adoraram a estatua de oiro que o rei Nabucodonozor tinha levantado.

⁸Por isso, no mesmo instante se chegaram alguns homens chaldeos, e accusaram os judeos.

⁹E fallaram, e disseram ao rei Nabucodonozor: Ó rei, vive eternamente!

¹⁰Tu, ó rei, fizeste um decreto, que todo o homem que ouvisse o som da buzina, do pifaro, da harpa, da sambuca, do psalterio, e da symphonia, e de toda a sorte de musica, se prostrasse e adorasse a estatua de oiro;

¹¹E, qualquer que se não prostrasse e adorasse, fosse lançado dentro do forno de fogo ardente.

¹²Ha uns homens judeos, os quaes constituiste sobre os negocios da provincia de Babylonia: Sadrach, Mesach e Abed-nego: estes homens, ó rei, não fizeram caso de ti; a teus deuses não servem, nem a estatua de oiro, que levantaste, adoraram.

¹³Então Nabucodonozor, com ira e furor, mandou trazer a Sadrach, Mesach e Abed-nego. E trouxeram a estes homens perante o rei.

¹⁴Fallou Nabucodonozor, e lhes disse: Porventura de proposito, ó Sadrach, Mesach e Abed-nego, vós não servis a meus deuses nem adoraes a estatua de oiro que levantei?

¹⁵Agora pois, se estaes promptos, quando ouvirdes o som da buzina, do pifaro, da guitarra, da harpa, do psalterio, da symphonia, e de toda a sorte de musica, para vos prostrardes e adorardes a estatua que fiz, bom é; mas, se a não adorardes, sereis lançados, na mesma hora, dentro do forno de fogo ardente: e quem é o Deus que vos poderá livrar das minhas mãos

¹⁶Responderam Sadrach, Mesach e Abed-nego, e disseram ao rei Nabucodonozor: Não necessitamos de te responder sobre este negocio.

¹⁷Eis que é nosso Deus, a quem nós servimos, que nos pode livrar; elle nos livrará do forno de fogo ardente, e da tua mão, ó rei.

¹⁸E, se não, sabe tu, ó rei, que não serviremos a teus deuses nem adoraremos a estatua de oiro que levantaste.

¹⁹Então Nabucodonozor se encheu de furor, e se mudou o aspecto do seu semblante contra Sadrach, Mesach e Abed-nego: respondeu, e ordenou que o forno se accendesse sete vezes mais do que se costumava accender.

²⁰E ordenou aos homens mais valentes de força, que estavam no seu exercito, que atassem a Sadrach, Mesach e Abed-nego, para os lançar no forno de fogo ardente.

²¹Então estes homens foram atados com as suas capas, seus calções, e seus chapeus, e seus vestidos, e foram lançados dentro do forno de fogo ardente.

²²E, porque a palavra do rei apertava, e o forno estava sobre-maneira acceso, a chamma do fogo matou aquelles homens que levantaram a Sadrach, Mesach e Abed-nego.

²³E estes tres homens, Sadrach, Mesach e Abed-nego, cairam atados dentro do forno de fogo ardente.

²⁴Então o rei Nabucodonozor se espantou, e se levantou depressa: fallou, e disse aos seus capitães: Porventura não lançámos tres homens atados dentro do fogo? Responderam e disseram ao rei: Verdade é, ó rei

²⁵Respondeu, e disse: Eis aqui vejo quatro homens soltos, que andam passeando dentro do fogo, e nada ha de lesão n'elles; e o aspecto do quarto é similhante ao filho dos deuses.

²⁶Então se chegou Nabucodonozor á porta do forno de fogo ardente; fallou, e disse: Sadrach, Mesach e Abed-nego, servos do Deus Altissimo, sahi e vinde! Então Sadrach, Mesach e Abed-nego sairam do meio do fogo.

²⁷E ajuntaram-se os sátrapas, os prefeitos, e os presidentes, e os capitães do rei, contemplando estes homens, como o fogo não tinha tido poder algum sobre os seus corpos: nem um só cabello da sua cabeça se tinha queimado, nem as suas capas se mudaram, nem cheiro de fogo tinha passado sobre elles.

²⁸Fallou Nabucodonozor, e disse: Bemdito seja o Deus de Sadrach, Mesach e Abed-nego, que enviou o seu anjo, e livrou os seus servos, que confiaram n'elle, pois violaram a palavra do rei, e entregaram os seus corpos, para que não servissem nem adorassem algum outro deus, senão o seu Deus.

²⁹Por mim pois se faz um decreto, que todo o povo, nação e lingua que disser blasphemia contra o Deus de Sadrach, Mesach e Abed-nego, seja despedaçado, e a sua casa seja feita um monturo; porquanto não ha outro Deus que possa livrar como este.

³⁰Então o rei fez prosperar a Sadrach, Mesach e Abed-nego, na provincia de Babylonia.

📖 Chapter study

Summary

Nebuchadnezzar has a giant golden statue built and orders everyone to worship it; Shadrach, Meshach, and Abednego refuse and are thrown into a blazing furnace, but come out unharmed, accompanied by a fourth figure in the midst of the fire.

Explanation

The golden statue, 90 feet (27 meters) tall, was likely erected as a display of political and religious power after the dream in chapter 2, perhaps in an attempt by the king to establish his own rule as eternal (contrary to what Daniel's interpretation had said). The courageous response of the three young men (v.17-18) is remarkable: they declare that God is able to deliver them, but even if he does not, they still will not worship the statue — a faith that does not depend on a favorable outcome to remain steadfast. The fourth figure in the fire, described with a divine appearance, is seen by Christian tradition as a manifestation of God's protective presence. The central lesson is about integrity and courage even in the face of a death threat, and God's faithfulness to accompany those who remain faithful amid danger.

Fun facts

The repeated list of musical instruments (horn, flute, harp, psaltery) includes terms scholars identify as borrowed from Greek, evidence of cultural contact between Babylon and the Hellenic world even at that early time.
The expression 'but if not' (v.18) has become, throughout history, one of the most quoted declarations of faith in contexts of religious persecution, for expressing trust in God regardless of the outcome.

Verse-by-verse explanation

Daniel 3:1A statue sixty cubits tall and only six cubits wide has proportions far too strange for a human figure — it probably included a tall pedestal. It’s hard not to notice that this one is entirely gold, unlike the statue of mixed metals in chapter 2’s dream.
Daniel 3:2The long list of summoned officials, from satraps to treasurers, shows that the statue’s dedication was a political affair of state, gathering the empire’s entire administrative structure, not just an ordinary religious ceremony.
Daniel 3:3Repeating the same list of officials from the previous verse, almost word for word, is a common device in Daniel’s Aramaic narrative: the repetition reinforces the event’s magnitude and solemnity for the reader.
Daniel 3:4‘People, nations, and languages’ is an expression repeated several times in this chapter, emphasizing the multi-ethnic reach of the Babylonian empire — quite unlike earlier empires, which ruled over more uniform territories.
Daniel 3:5The list of musical instruments — cornet, flute, harp, sackbut, psaltery, and others — describes a real court orchestra used as a public signal: when it played, the whole empire was to stop and bow before the statue at the same moment, a spectacle of mass obedience.
Daniel 3:6Furnaces like this one were normally used to bake bricks, not to execute people — turning an industrial furnace into a weapon of execution shows the brutal improvisation behind the king’s threat.
Daniel 3:7Obedience is unanimous and immediate the moment the music plays, with no resistance recorded — which makes the three Jewish friends’ refusal, in the next verse, all the more shocking to the rest of the court.
Daniel 3:8The accusers are identified as ‘Chaldeans,’ the same group of wise men who had reason to resent Daniel and his friends ever since they took up prominent positions in the previous chapter.
Daniel 3:9‘O king, live for ever’ was a formal courtesy greeting used when addressing kings in the ancient Near East, not a literal claim about the monarch’s immortality.
Daniel 3:10The accusers repeat the king’s own decree almost word for word before denouncing the three friends — a rhetorical strategy to make clear that their disobedience is undeniable and direct.
Daniel 3:11Repeating the maximum penalty right after repeating the decree drives home, before the king, the gravity of what the accusers are about to report — an accusation built step by step, leaving no loopholes.
Daniel 3:12The accusation carries an evident tone of political envy: the three men hold precisely the prominent posts that Daniel had requested for them at the end of chapter 2, and that prominence makes them visible targets for rivals at court.
Daniel 3:13The king’s reaction is immediate and personal — he himself commands that the three be brought in, rather than delegating the case, showing that their disobedience was felt as a direct insult to his authority.
Daniel 3:14The king gives the three a chance to deny the charge or explain themselves before any punishment — a detail showing that, despite his fury, he still follows some formal process before sentencing.
Daniel 3:15The king’s final question, ‘who is that God that shall deliver you out of my hands,’ is the true center of the scene: the challenge is not only about obedience to a statue, but about which power, the king’s or a foreign God’s, is stronger.
Daniel 3:16‘Our God whom we serve is able to deliver us... but if not’ is the chapter’s most striking line: the three friends affirm their faith before even knowing whether they would be saved — the text prizes the courage to refuse worship of the statue regardless of the outcome.
Daniel 3:17The three friends’ answer is firm about God’s ability, but does not yet guarantee the outcome — this distinction between power and promise becomes even clearer in the next verse.
Daniel 3:18‘But if not’ is the scene’s most striking phrase: the three make clear that they will obey God even if He decides not to deliver them from the fire — their faithfulness does not depend on a guaranteed outcome.
Daniel 3:19Ordering the furnace heated seven times hotter than usual, to the point of killing the soldiers who merely got close enough to throw the three men in, shows the typical exaggeration of this kind of narrative: the danger is described at its maximum possible pitch before the surprising outcome.
Daniel 3:20Specifically calling on ‘the most mighty men’ in the army to tie up three unarmed prisoners is an exaggeration showing how badly the king wanted to guarantee this execution would not fail.
Daniel 3:21Mentioning their full clothing — coats, hosen, hats — before they are thrown into the fire sets up the detail in verse 27, when it turns out that not even these garments were burned.
Daniel 3:22The scene’s irony is harsh: the furnace’s extreme heat, increased by the king’s own order, kills the soldiers carrying the three friends to the entrance, yet does not touch the prisoners inside.
Daniel 3:23Describing them as having ‘fell down bound’ into the fire is the last moment before the turnaround: the text wants to make clear that, up to this point, they had no visible protection at all.
Daniel 3:24The king’s astonished reaction, rising up in haste, marks the scene’s turning point: someone certain of his own absolute authority now faces something he cannot explain or control.
Daniel 3:25The description of a fourth figure in the fire, ‘like the Son of God,’ is the pagan king’s own attempt to explain what he was seeing — before any later interpretation of who this figure might be, the text simply records Nebuchadnezzar’s astonished reaction to what looked like supernatural protection.
Daniel 3:26The king calls the three ‘ye servants of the most high God’ for the first time in the scene, a public acknowledgment that contrasts with his earlier demand that they worship only the Babylonian gods.
Daniel 3:27The detailed list — hair, clothing, smell — functions as forensic proof before all the assembled officials: it is not a vague impression, but a meticulous finding that nothing at all was affected by the fire.
Daniel 3:28The king’s final decree, threatening anyone who blasphemed against the God of the three friends, shows how this kind of story traditionally ended: not with the conversion of the whole empire, but with public recognition that this particular God deserved respect.
Daniel 3:29The king’s new decree repeats almost the same words as the original threat against the three friends at the start of the chapter, only now turned against anyone who offends their God — a complete reversal of position.
Daniel 3:30The chapter ends with a promotion, not just a pardon — a sign that the three men’s faithfulness, far from harming their careers, further cemented their position at the Babylonian court.